I haven't written in such a long time because... Theatre School.
Now my last post was last May which was about the time I finished up my first year of theatre school. My first year of training was coming to an end and I was feeling good about the work I had created with my ensemble, but it was summer!!!!
I saw so much theatre, I worked a ton of hours at silly part time jobs, and I went to London, England with my best friend Jessica Goddard. So Summer 2013 treated me very well.
By the Autumn I started my journey in the dark tunnel of second year at Humber College's Theatre Performance program. I wrote in my journals throughout the year how it was not a dark tunnel and how the faculty should stop referring to second year like that because it was such a negative image... BUT SECOND YEAR WAS A DARK TUNNEL.
It was so dark, sometimes I didn't think I even existed or would make it to the exit. We just did so much through the semester, I'm surprise nobody evaporated from exhaustion. We trained in the studio to find the play with our vocal technique and electrify our dynamic alignment, physically.
But besides the training we stared workshopping pieces. We worked with:
Nancy Palk on The Machinal
Kelly McEvenue on The Beaux Stratagem
Alex McLean and Marissa Zinni on Orestia
Kennedy C. MacKinnon and Thomas Hauff on Twelfth Night and A Comedie of Errors
Marie Beath Badian on The Fight.
So yeah... we were basically working on an entire season as if we were part of a professional theatre company. But this is why I love my training at Humber, its practical. Its so similar to what to expect in the real world, from rehearsing classic shows from Shakespeare or Contemporary Dramas or devising as a collect collaborative.
Now that its summer and a full year has cycled through I am so happy to be moving on into my Third Year at Humber. Next year will be stressful and informative and fun, but before September arrives theres a lot that needs to be worked on and I've never been as excited to read, research, train and observe as I am right now.
This summer is going to be different then last. For instance I said goodbye to Walmart last summer and now I'm currently a Barista at Starbucks. I am also continuing my teaching at StageCoach and will be playing Mary Poppins alongside my beautiful head teacher and my rugrats. And this year, I'm excited to be part of Theatre Relay's project.
Its a collective collaboration among 8 artists who have each created solo work to be performed by another artist in the company. I'll post more information about it later, but this work is something that excites me and I'm so stoked to be part of.
And although I am not going to London, England with Jessica, or anywhere exciting this summer, I'm still seeing theatre across southern Ontario; venturing to Shaw and Startford to see some great productions and I'll also be digging through Fringe, Summerworks and Luminato to see some new works.
So I'm back and I'll be writing every Monday and Friday on various topics including Theatre, Music, Movies, Travel, Community and anything any of my followers may want to read.
With love,
Lisa Alves
Showing posts with label Production. Show all posts
Showing posts with label Production. Show all posts
Wednesday, 30 April 2014
Friday, 3 May 2013
HUMBER COLLEGE PRESENTS * Shadow Play: The Peter Pan Variations *
I had the pleasure of seeing my mentors put on a brilliant piece of theatre on for the supporting full house. The combination of song, movement, storytelling all came together in a beautiful story that intertwined the stories of Peter Pan and Lord of the Flies. They were graduating theatre school/college students that transformed into children on stage.
The interesting thing that I observed was how much of the training, what I've experienced at Humber, I saw in my cohorts performing on that stage. I saw a load of Contact Improv technique, Physical Theatre, Vocal Training (Speech and Singing), etc. I was sort of looking out for the training, because I love seeing it applied to performance work, because that's what the training is suppose to help the artist to do.
Overall it was the most attractive show I've seen to date and I urge people to try to get tickets if they can. There are two more performances left! Please support these artists and enjoy a spectacle of a show. You will want to fly out of your seat with them.
You can purchase your tickets by clicking this link! Arts Box Office
With love,
Lisa Alves
Wednesday, 20 February 2013
Every Letter Counts
Last week I had the pleasure to watch Evert Letter Counts at Factory Theatre. Written by Nina Lee Aquino and Directed by Nigel Shawn Williams, this play explored the Filipino political icon, Benigno Aquino, Nina Lee's very own uncle.
The play's production value really amplified the path the play was taking with the wonderful use of projection and lighting. It gave the audience imagines that were essential to the piece. The lighting also allowed character's importance to shine through, along with creating different tones and moods for the stationary set they had.
Aquino played herself as Bunny alongside Jon de Leon who played Benigno. Aquino had great personal investment in the piece and de Leon had spectacular understanding and approach to such multi-dimensional man. Earl Pastko had such wonderful physicality, which was appropriate for the status he was perceived to have; he was definitely connect to his spine that was so dynamically aligned, he was a pleasure just to stare at.
If you want to check out this production the run ends February 24th, so get your tickets!
http://www.factorytheatre.ca/201213-season/every-letter-counts/
Factory Theatre
Twitter https://twitter.com/FactoryToronto
Nina Lee Aquino
Twitter https://twitter.com/nininsky
With love,
Lisa Alves
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