Second Year of Theatre School

I haven't written in such a long time because... Theatre School.

Now my last post was last May which was about the time I finished up my first year of theatre school. My first year of training was coming to an end and I was feeling good about the work I had created with my ensemble, but it was summer!!!!

I saw so much theatre, I worked a ton of hours at silly part time jobs, and I went to London, England with my best friend Jessica Goddard. So Summer 2013 treated me very well.

By the Autumn I started my journey in the dark tunnel of second year at Humber College's Theatre Performance program. I wrote in my journals throughout the year how it was not a dark tunnel and how the faculty should stop referring to second year like that because it was such a negative image... BUT SECOND YEAR WAS A DARK TUNNEL.

It was so dark, sometimes I didn't think I even existed or would make it to the exit. We just did so much through the semester, I'm surprise nobody evaporated from exhaustion. We trained in the studio to find the play with our vocal technique and electrify our dynamic alignment, physically.

But besides the training we stared workshopping pieces. We worked with:
Nancy Palk on The Machinal
Kelly McEvenue on The Beaux Stratagem
Alex McLean and Marissa Zinni on Orestia
Kennedy C. MacKinnon and Thomas Hauff on Twelfth Night and A Comedie of Errors
Marie Beath Badian on The Fight.

So yeah... we were basically working on an entire season as if we were part of a professional theatre company. But this is why I love my training at Humber, its practical. Its so similar to what to expect in the real world, from rehearsing classic shows from Shakespeare or Contemporary Dramas or devising as a collect collaborative.

Now that its summer and a full year has cycled through I am so happy to be moving on into my Third Year at Humber. Next year will be stressful and informative and fun, but before September arrives theres a lot that needs to be worked on and I've never been as excited to read, research, train and observe as I am right now.

This summer is going to be different then last. For instance I said goodbye to Walmart last summer and now I'm currently a Barista at Starbucks. I am also continuing my teaching at StageCoach and will be playing Mary Poppins alongside my beautiful head teacher and my rugrats. And this year, I'm excited to be part of Theatre Relay's project.

Its a collective collaboration among 8 artists who have each created solo work to be performed by another artist in the company. I'll post more information about it later, but this work is something that excites me and I'm so stoked to be part of.

And although I am not going to London, England with Jessica, or anywhere exciting this summer, I'm still seeing theatre across southern Ontario; venturing to Shaw and Startford to see some great productions and I'll also be digging through Fringe, Summerworks and Luminato to see some new works.

So I'm back and I'll be writing every Monday and Friday on various topics including Theatre, Music, Movies, Travel, Community and anything any of my followers may want to read.

With love,

Lisa Alves

The Great Anticipation for Gatsby

I am so excited for the 2013 premier of Baz Luhrmann's The Great Gatsby starring Leonardo DiCaprio, Carey Mulligan and Tobey McGuire.

Here's the trailer - Gatsby Trailer

I love the book, even though I don't call myself a Gatsby Lover Fan Girl. I appreciate the heart wrenching story of Gatsby and Daisy. I am also enthralled by the lavish parties that are told in the story; they seem top notch classy!

I had a couple of concerns when I first heard that this film was in production. My number one worry was Baz Luhrmann himself... or more specifically his directing approach. Two years ago I really did not like his movies. Romeo and Juliette didn't make my heart weep, Moulin Rouge! made me roll my eyes, and I fell asleep through Australia. From those observations, I thought Baz Luhrmann was a cheap director (and I don't mean pinching pennies cheap). What I mean and what I thought was, he didn't understand the stories he was telling. I felt they were all over the place and out of touch with humanity. I mean in his past three prominent movies they all started farcical and ended the story in such a melodramatic way that it made my eyes roll. At the age of 15, I thought I knew how stories were to be told and I was certain that Baz Luhrmann had it all wrong.

UNTIL my very good friend Jessica Goddard went through her obsession with Ewan McGregor. She watched every movie of his and found all his sexy quilt pictures. When we discussed Moulin Rouge, being the open minded Libra that I am, I decided to give Moulin Rouge! one more shot. I kept in mind that Baz Luhrmann had a different approach, but I also followed the story, score and characters in detail.

After my viewing the film on my last attempt to understand where this director was coming from, I FINALLY GOT IT! Baz Luhrmann's films are not like Scorsese's, Spielberg's, Eastwood's, Lynch's, Polanski's (even though I know they are all very different, they are also all different from Luhrmann). Luhrmann isn't even on the AMC's top 50 directors list. But I feel he falls under all those classic film directors and directors that take the theatrics, music and details very seriously.

What I found after watching Moulin Rouge!, Luhrmann seems to be a director that hones in on the classic reason why film is made; to entertain. That's why music and theatre really hit it big at the turn of the century a hundred years back. People have always wanted to escape in the culture of the arts to be entertained, to realize something they might have or have not before, to revisit the times when they've smiled or cried, to follow a character's journey.

I've found a fond admiration towards Baz Luhrmann because he has brought a type of theatre to film. He has also has a keen ear for music and the story it can tell, by itself or woven within the movie. So I can definitely say I have found major respect to this director. My concern has flown out the window.

Check out this interview he had with Florence Welch in Interview - Baz and Florence

My one other concern was ... I hate to say it... Leonardo DiCaprio himself. Don't get me wrong, I've loved him in What's Eating Gilbert Grape?, The Basketball Diaries, Aviator and of course Titanic. But I find that in the majority of the roles he plays, it has always been Leonardo DiCaprio, not J. Edgar, not Frank Abagnale Jr., not Cobb. That's not to say he's a horrible actor, he is a very fine and crafted one. The thing is that he is recognizable, which is a good and bad thing. And when it comes to Gatsby, I'm nervous.

When I read The Great Gatsby I found myself forming a character that resembled Jude Law. Now give that a second if you know the story... now put Jude Law as Gatsby... It makes a lot of sense. SO MUCH.

BUT we have Leonardo DiCaprio as our Gatsby. I do like him and I hope he does a knock out job. I will keep an open mind when I watch the movie... I am just voicing my concern.

AND HEY! I changed my heart for Baz Luhrmann, it can happen again for Leo as Gatsby in my head.

What I am REALLY EXCITED about is Ms. Carey Mulligan as Daisy. To me, I think she's perfection and she is going to bring so much to the character of Daisy. When I ventured in the novel with my fellow peers, many people dislike Daisy and thought she was evil and vile and just a down right wrenched woman. But I found myself sympathizing for her and rooting for her because she's such a complexed character, just like Gatsby, and I think she's over looked. That being said, I hope and I do have a very good feeling that Carey Mulligan will bring a warmth and touch of humanity to the role of a not liked character.

I am also very excited to see what the rest of the cast has up their sleeves including Tobey Maguire, Joel Edgerton, and Isla Fisher. I feel like there is a great crew behind this production and its going to fly.

The last thing I want to mention is the soundtrack this movie has. Jay-Z, The XX, Gotye, Beyonce, Jack White, and Lana Del Ray have all collaborated with Luhrmann and Craig Armsrong to create a beautiful framework for the the story. AND DID I MENTION THAT FLORENCE WELSH ALSO WROTE A SONG THAT IS UNBELIEVABLY PERFECT FOR THE STORY? I think I'm more excited about Florence's Over the Love Song then the actual film... But you have to watch this to understand why - Great Music is Timeless

After a very long awaited premier, I shall be viewing this much anticipated film tomorrow with my friends as we sob and laugh and be the fan girls we tend to be. 

I'll post my thoughts of what I thought of the movie after in some form. 

I hope to hear from you what you think pre and post movie!

With love,

Lisa Alves

HUMBER COLLEGE PRESENTS * Shadow Play: The Peter Pan Variations *

The educational institution that I have been attending has been getting ready to graduate 12 so very talented actors. The Third Year Theatre Performance Program has definitely gone out with bang this year. Their final collective project is held at Back Space in the wonderful Theatre Passe Muraille. The Back Space Project allows the emerging artists to create a show based on a variety of literature and a final collaboration within the Theatre Performance and Theatre Production program. 

I had the pleasure of seeing my mentors put on a brilliant piece of theatre on for the supporting full house. The combination of song, movement, storytelling all came together in a beautiful story that intertwined the stories of Peter Pan and Lord of the Flies. They were graduating theatre school/college students that transformed into children on stage. 

The interesting thing that I observed was how much of the training, what I've experienced at Humber, I saw in my cohorts performing on that stage. I saw a load of Contact Improv technique, Physical Theatre, Vocal Training (Speech and Singing), etc. I was sort of looking out for the training, because I love seeing it applied to performance work, because that's what the training is suppose to help the artist to do. 

Overall it was the most attractive show I've seen to date and I urge people to try to get tickets if they can. There are two more performances left! Please support these artists and enjoy a spectacle of a show. You will want to fly out of your seat with them.

You can purchase your tickets by clicking this link! Arts Box Office

With love,

Lisa Alves

The Arts and Team Work

Check out my first youtube video!

My Fair Lady: Shaw 2011

So most of us know the story of Pygmalion that was revised to a musical made famous my Julie Andrews, Rex Harrington and Audrey Hepburn. (If you don't, please research because you won't be let down). Well in 2011, my grade 11 drama teacher mention this woman, Deborah Hay, who he went to university with and how she was in My Fair Lady at The Shaw Festival. So I convinced my mother to get some tickets (it was easy because it was a fun musical) and I ventured off to Niagara-on-the-Lake to see what my teacher was talking about.

2 years later, I am still fascinated with this production of My Fair Lady. There was everything in wonderful in the show; the edgy design of costumes completed the antique set, the elegant dancing dazzled with the fresh voices. The performance by Benedict Campbell shouldn't have been overlooked as well, he knocked Professor Higgins out of the park and was a an excellent force to be wrecked with Hay's Eliza.

There was something real I saw on that stage that night, and that was the night my heart was stolen by Deborah Hay. She was the show stopper, with Cockney accent and all. She made the role her own, not necessarily following the footsteps of Andrews (who's brilliant, but no replica required). It was evident in every beat she danced, every note she sung, and every line she said. Deborah Hay became an inspiration to me in the she took her final bow and it was because she re-created Eliza Doolittle.

And that's why I am at school for theatre performance, to be my own actor. Even though I have so many actors I look up to and admire, I admire them because they don't try to be another actor, they are their own actor in their own right. For me, it' difficult, but that's why I am learning and that's why I still keep Deborah Hay's performance in my mind. 

I am envious that my drama teacher went to school with such a fine actress and knows her. But it reminds me that it took even her to learn the ways of theatre before she became her own performer. 

If you'd like to see more fabulous Shaw Festival Productions click on this link http://www.shawfest.com

With love, 

Lisa Alves

I'm Still Here

I would like to apologize for my absence from my blog. It's been quite a hectic couple of months as a theatre performance student. I've seen a lot of shows, done a lot of work, performed for my peers and faculty, creating with my peers and working my ass off. I've also recently just gotten into a bit of a tumble where I unfortunately sprained my left ankle.
So yes, my time away has been very busy, but I would not have traded it for the world because I've grown so much and I can't wait what's around the bend.
I hope to be posting some more thoughts on shows and what not and I hope all of you who have been reading continue to enjoy your days with smiles and happiness.

With love,

Lisa Alves

Please Watch

http://www.youtube.com/watch?v=ltun92DfnPY&feature=share